Mose Allison
Pianist, vocalist and songwriter Mose Allison was born in 1927 in Tippo, where he often listened to blues records on the jukebox at his father’s service station. In 1956 Allison moved to New York City, where he soon achieved acclaim as a jazz artist. His music always retained a strong blues influence, though, and in addition to covering the songs of Sonny Boy Williamson No. 2, Muddy Waters, and Willie Dixon, Allison authored blues standards including “Parchman Farm.”
Mose Allison, one of the few jazz artists to achieve acclaim as both a vocalist and an instrumentalist, was born on November 11, 1927 in his grandfather’s farmhouse on the island in Tippo Bayou, about three miles from town. His father Mose John Allison, Sr., learned to play piano from piano rolls, and would often entertain at home on Sundays, sometimes playing boogie woogie together with one-man-band Percy Walker, an African American. Allison’s mother Maxine encouraged him to take piano lessons at age five, and he soon discovered an ability to play by ear and a preference for “bluesy” songs. In his early teens Allison wrote his first song, a parody in the style of jump bluesman Louis Jordan, and began performing at local parties and school events. He recalled that the jukebox at his father’s service station contained, in addition to country and jazz, blues records by Memphis Minnie, Josh White, Big Bill Broonzy, and others.
While attending high school in Charleston, Allison picked up the trumpet, formed a Dixieland group, and began performing at clubs. After enrolling at the University of Mississippi, he joined the school dance band, the Mississippians. During an 18-month stint in the U. S. Army that interrupted his schooling, he became immersed in jazz and its associated hip lifestyle. Allison returned to Ole Miss but soon gravitated to the blues and jazz scenes of Memphis, where he saw performances by John Lee “Sonny Boy” Williamson and others. He left the university to perform on the road with his own group in the style of the trio of Nat “King” Cole, a major vocal influence.
Allison continued to work on the road after concluding his studies at Louisiana State University in 1952, and in 1956 he settled in New York City and was soon recording with leading jazz artists including Al Cohn, Stan Getz, and Shelly Manne. Allison debuted on record under his own name in 1957 with the album “Back Country Suite,” which featured his vocals on Mercy Dee Walton’s blues hit “One Room Country Shack.” Allison’s next album, “Local Color,” featured his original “Parchman Farm,” later covered by Georgie Fame, John Mayall & the Bluesbreakers, Johnny Winter, and Bobbie Gentry, among others. Allison’s original lyrics often displayed the dark humor and pathos that characterizes the blues, as exemplified by “Your Mind is On Vacation,” “Gettin’ There,” “Ever Since I Stole the Blues,” and “Everybody Cryin’ Mercy.” As a vocalist and songwriter, Allison was particularly influential on blues-rock artists from the United Kingdom, including Van Morrison, Ray Davies of the Kinks, Jack Bruce of Cream, and Pete Townshend of the Who, a band that covered Allison’s generational anthem “Young Man Blues” on several albums
The Mississippi Blues Trail markers tell stories through words and images of bluesmen and women and how the places where they lived and the times in which they existed–and continue to exist–influenced their music. The sites run the gamut from city streets to cotton fields, train depots to cemeteries, and clubs to churches. We have a lot to share, and it’s just down the Mississippi Blues Trail.
The Mississippi Blues Trail is an ongoing project of the Mississippi Blues Commission. Funding for this project has been made possible by grants from the National Endowment for the Arts, National Endowment for the Humanities, Mississippi Department of Transportation, the Federal Highway Administration, AT&T, and the Delta Center for Culture and Learning at Delta State University plus additional support from the Mississippi Development Authority Tourism Division.
For more information visit msbluestrail.org.
The county was officially established in 1833 and named after the Tallahatchie River, which runs through its boundaries. During the antebellum period, Tallahatchie County, like many other counties in the Deep South, relied heavily on agriculture, particularly cotton. The area's fertile soil and favorable climate made it ideal for plantation farming, and the county saw an influx of wealthy planters who built large plantations and relied on enslaved labor.
The county gained national attention during the Civil Rights Movement of the 1950s and 1960s. In August 1955, 14-year-old Emmett Till, an African American boy from Chicago, was brutally murdered in Tallahatchie County for allegedly whistling at a white woman. The trial that followed drew widespread media attention and highlighted the racial tensions and injustices that prevailed in the Jim Crow South.
In more recent years, Tallahatchie County has experienced economic and demographic changes. The decline of agriculture as the primary industry and the mechanization of farming have led to a shift in the county's economy. Today, Tallahatchie County remains a rural area, but efforts are being made to diversify the local economy and promote tourism, particularly around historical and cultural sites.
Tallahatchie County Timeline
This timeline provides a concise overview of the key events in the history of Tallahatchie County, Mississippi.
- 1833 - Tallahatchie County is established as a part of the Chickasaw Cession.
- 1841 - The county seat is established in Charleston.
- 1865 - Tallahatchie County is heavily affected by the Civil War and Reconstruction era.
- 1882 - The infamous murder of Emmett Till occurs in Money, Tallahatchie County.
- 1930s - The Great Depression brings economic hardship and challenges to the county.
- 1964 - Tallahatchie County becomes a prominent location during the Civil Rights Movement.
- 1989 - The Tallahatchie County Courthouse is added to the National Register of Historic Places.
- 1996 - Tallahatchie County celebrates its sesquicentennial.