Jimmy Rogers
Born James A. Lane at Dougherty Bayou just west of Ruleville, guitarist and vocalist Jimmy Rogers (1924-1997) played a pioneering role in the post-World War II Chicago blues scene. A member of Muddy Waters’ first band in Chicago, Rogers recorded the blues standards “That’s All Right,” “Chicago Bound,” and “Walking By Myself.” Ruleville’s row of juke joints on Front Street, known locally as “Greasy Street,” made the town a longtime center of blues activity.
Jimmy Rogers was a key player in the evolution of electric Chicago blues from its roots in acoustic Delta traditions. Born on June 3, 1924, Rogers—who took the surname of his stepfather—was raised by his grandmother in Vance, where he played in a harmonica quartet together with Snooky Pryor, who also later helped develop the new Chicago blues sound. Rogers took up the guitar in his early teens while living in Charleston and worked his first gigs in Minter City with Little Arthur Johnson. He performed in the Delta with his early idol Sonny Boy Williamson No. 2 (Rice Miller) and in the Memphis area with Howlin’ Wolf and guitarist Joe Willie Wilkins, an important influence. Rogers lived with relatives in Atlanta, Memphis, St. Louis, and South Bend, Indiana, before settling permanently in Chicago in the mid-1940s. There he fell in with leading artists including Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee “Sonny Boy” Williamson (No. 1).
Rogers played for tips on Chicago’s Maxwell Street market with other newly arrived Southern musicians including Pryor and harmonica player Little Walter Jacobs. Rogers introduced Jacobs to Muddy Waters, who had arrived in Chicago in 1943, and the three were soon performing together. Known informally as the “Headhunters,” the group developed a new and powerful ensemble sound that wasn’t fully captured on Waters’ recordings until the early ‘50s. Rogers made his first solo recording in 1946 for the Harlem label, but it was mistakenly credited to Memphis Slim. The first single to appear under his name came out on Chess in 1950. Rogers cut a dozen singles for Chess, and while only the 1957 release “Walking By Myself” reached the charts, others including “Ludella,” “Sloppy Drunk,” and, most notably, “That’s All Right” became oft-covered blues standards.
Rogers continued to play and record with Waters in the ’50s but also led his own band at times.He appeared as a sideman on recordings by Little Walter, Memphis Minnie, Sonny Boy Williamson No. 2, Sunnyland Slim, Floyd Jones, Johnny Shines, T-Bone Walker, Howlin’ Wolf, and others. After playing for about a year in Wolf’s band, Rogers retired from music for eight years and ran a clothing store and taxi business. He returned to performing in 1969, and remained active as a performer and recording artist until his death on December 19, 1997. Rogers’ influence on popular music was confirmed by the guests on his final album, Blues, Blues Blues, including Eric Clapton, Keith Richards, Mick Jagger, Robert Plant, Jimmy Page, Stephen Stills, and Taj Mahal. Rogers was inducted into the Blues Hall of Fame in 1995. Other Ruleville-born blues artists who moved to Chicago include vocalist Jeanne Carroll and bassist Hayes Ware.
The Mississippi Blues Trail markers tell stories through words and images of bluesmen and women and how the places where they lived and the times in which they existed–and continue to exist–influenced their music. The sites run the gamut from city streets to cotton fields, train depots to cemeteries, and clubs to churches. We have a lot to share, and it’s just down the Mississippi Blues Trail.
The Mississippi Blues Trail is an ongoing project of the Mississippi Blues Commission. Funding for this project has been made possible by grants from the National Endowment for the Arts, National Endowment for the Humanities, Mississippi Department of Transportation, the Federal Highway Administration, AT&T, and the Delta Center for Culture and Learning at Delta State University plus additional support from the Mississippi Development Authority Tourism Division.
For more information visit msbluestrail.org.
Sunflower County played a significant role in the Civil Rights Movement of the 20th century. It was the birthplace of Fannie Lou Hamer, a prominent civil rights activist who tirelessly fought for voting rights, school desegregation, and equal treatment for African Americans. The county became a battleground for racial equality, witnessing numerous protests and acts of resistance against segregation and discrimination.
During the mid-20th century, Sunflower County, like much of the Mississippi Delta, experienced socio-economic hardships due to mechanization in agriculture and the decline of the cotton industry. Poverty and unemployment became prevalent, and the population decreased as many residents left in search of better opportunities.
In recent years, Sunflower County has made efforts to revitalize its economy and improve living conditions for its residents. Various initiatives have been implemented to promote education, job creation, and community development. While challenges persist, the county continues to evolve and adapt, striving for a brighter future. Today, Sunflower County serves as a reminder of the struggles faced by its inhabitants in the past, while also showcasing their resilience and determination for a better tomorrow.
Sunflower County Timeline
This timeline provides a condensed summary of the historical journey of Sunflower County, Mississippi.
- Early 1800s: Sunflower County was inhabited by Native American tribes, including the Choctaw and Chickasaw.
- 1833: The Mississippi Legislature established Sunflower County.
- 1844: The county seat was established in the town of Pheba.
- 1846: Pheba was renamed to Sunflower, becoming the county seat.
- 1854: The town of Sunflower was superseded by the newly established town of Johnsonville as the county seat.
- 1858: Sunflower County's seat moved again, this time to McNutt.
- 1910: Indianola became the permanent county seat, replacing McNutt.
- 1920s-1930s: Sunflower County experienced a significant growth in cotton farming and became a major center for the agricultural industry.
- 1950s-1960s: The Civil Rights Movement had a strong presence in Sunflower County, with notable activists leading initiatives for equality.
- 2004: The B.B. King Museum and Delta Interpretive Center opened in Indianola, honoring the famous blues musician who was born in Sunflower County.
- Present: Sunflower County continues to be primarily agricultural, with a focus on cotton, soybeans, and catfish farming.