The Blues Legends of Duncan

Marker provided by: Mississippi Blues Commission.

Duncan has earned its place in blues history as the birthplace or former residence of performers who achieved notoriety locally and around the world. The legendary Jimmy Reed lived on the nearby McMurchy plantation in his youth. Others with roots in the Duncan area include Chicago bluesman Eddie C. Campbell, pianists Willie Love and Ernest Lane, singer Willie “Rip” Butler, and guitarist Anthony “Big A” Sherrod. Charley Patton’s daughter Rosetta Brown was also a longtime resident here.

Duncan can lay claim to a noteworthy share of the Highway 61 blues legacy. Local performers have played the blues in juke joints and on plantations here, and several followed career paths that led them to greater acclaim in other parts of the country. Willie Love (1906-1953), born in Duncan, was a prominent blues figure in the Delta, broadcasting on several stations (including KFFA in Helena, where he worked with Sonny Boy Williamson No. 2) and recording for the Trumpet label in Jackson from 1951 to 1953. Another Duncan-born pianist, Ernest Lane (1931-2012), grew up in Clarksdale alongside Ike Turner and was hailed for his work with Turner’s Kings of Rhythm as well as his own recordings in the U.S. and Europe. Lane, who relocated to Los Angeles, also recorded with Robert Nighthawk, the Monkees, Canned Heat and Eddie C. Campbell.

Campbell, born in Duncan in 1939, lived in Clarksdale for a few years before moving to Chicago, where he joined a legendary circle of musicians, including fellow Mississippi transplants Otis Rush and Magic Sam, who created the famed West Side sound. Campbell, who toured and recorded widely, lived in Europe in the 1980s and appeared in a German production of William Faulkner’s “Requiem for a Nun.” In Chicago Campbell sometimes worked as bandleader for the best-known performer with Duncan connections, blues star Jimmy Reed (1925-1976). Reed worked on the McMurchy plantation before he left Mississippi and later recalled Lynn McMurchy as “Mr. Mac . . . a nice old man.” Robert “Bilbo” Walker, a familiar figure in the juke joints around Clarksdale, Bobo, Alligator and Duncan, also knew Campbell in Chicago in the 1960s.

Others from Duncan include local favorite Willie Lee “Rip” Butler (1948-2014), a key member of the Wesley Jefferson Band who also worked with Robert Walker; Percell Perkins (1917-2003), who sang with the Five Blind Boys of Mississippi and other gospel groups; Menard Rogers (1929-2006), a saxophonist and label owner in Chicago; and Clarksdale bluesman Anthony “Big A” Sherrod, whose birth in 1984, as he has told it, took place on a Greyhound bus traveling through Duncan. Some historians have suggested that Willie Brown, a close associate of Delta blues icons Charley Patton, Son House and Robert Johnson, was the Will Brown who was enumerated in the Duncan area in the 1920 U.S. census.

Longtime Duncan resident Rosetta Patton Brown (1917-2014), although not a performer, was known to many visitors and aficionados as the daughter of Charley Patton. When she worked for the Malvezzi family in Clarksdale, she would babysit a young Jimbo Mathus when he came to town to visit his uncle, Guy Malvezzi. When Mathus later learned of her blues lineage, he recorded a tribute CD in Clarksdale, “Jas. Mathus and His Knock-Down Society Play Songs for Rosetta.”

The Mississippi Blues Trail markers tell stories through words and images of bluesmen and women and how the places where they lived and the times in which they existed–and continue to exist–influenced their music. The sites run the gamut from city streets to cotton fields, train depots to cemeteries, and clubs to churches. We have a lot to share, and it’s just down the Mississippi Blues Trail.

The Mississippi Blues Trail is an ongoing project of the Mississippi Blues Commission. Funding for this project has been made possible by grants from the National Endowment for the Arts, National Endowment for the Humanities, Mississippi Department of Transportation, the Federal Highway Administration, AT&T, and the Delta Center for Culture and Learning at Delta State University plus additional support from the Mississippi Development Authority Tourism Division.

For more information visit msbluestrail.org.

Mississippi was the 20th state to join the Union, admitted on December 10, 1817.
Bolivar County, Mississippi, has a rich history that stretches back centuries. The area was originally inhabited by Native American tribes, such as the Choctaw and Chickasaw, who thrived along the fertile Mississippi River Delta. European settlers began to arrive in the late 18th century, primarily French and Spanish explorers and traders. The territory changed hands several times, becoming part of the United States following the Louisiana Purchase in 1803.

The county was officially established in 1836 and named after South American revolutionary leader Simón Bolívar. Its location along the river made it an ideal location for plantations, leading to the rapid growth of the cotton industry and the rise of the antebellum plantation economy. Bolivar County became a major slave-holding area, with African Americans comprising a significant portion of the population.

During the Civil War, Bolivar County was caught in the crossfire between Union and Confederate forces, with several major battles and skirmishes taking place in the area. The war took a heavy toll on the region, leading to economic decline and social unrest. Reconstruction brought about some changes, including the establishment of schools for African Americans.

In the 20th century, Bolivar County continued to develop agriculturally, with cotton remaining a dominant crop. The county also saw significant social and political changes, including the implementation of Jim Crow laws and the civil rights movement. Today, Bolivar County remains an important agricultural region, but also faces challenges such as poverty and racial disparities. The county's rich history is celebrated and remembered through various historical sites, museums, and community events.

This timeline provides a condensed summary of the historical journey of Bolivar County, Mississippi.

  • 1836: Bolivar County is created and named after Simón Bolívar, the South American freedom fighter.
  • 1844: The county seat is established in the town of Bolivarville, which later changes its name to Cleveland.
  • 1858: The Mississippi Delta Agricultural Experiment Station is established in Lula, contributing to the region's agricultural development.
  • 1865: The Civil War ends, and Bolivar County begins the process of rebuilding and recovering.
  • 1875: The county's first railroad, the Mississippi Valley Railroad, is completed, connecting Bolivar County to other parts of Mississippi.
  • 1890s: The county experiences significant economic growth due to cotton production and the expansion of the railroad network.
  • 1920s: Bolivar County becomes a major center for the blues, with influential musicians like Charley Patton and W.C. Handy performing in the area.
  • 1955: Emmett Till, a 14-year-old African American boy, is brutally murdered in Money, Bolivar County, becoming a significant catalyst for the Civil Rights Movement.
  • 1969: Parchman Farm, the infamous Mississippi State Penitentiary, closes in Bolivar County.
  • 1980s: Bolivar County experiences economic decline due to changes in the agricultural industry and population shifts.
  • 1994: The Grammy Museum Mississippi opens in Cleveland, celebrating the cultural heritage of the region.